Tiny Trip

A new book of common prayer

In Residence January 17-21
Livestreaming Performance February 21 at Noon

A New Book of Common Prayer brings the company members of Tiny Trip into a shared space - The Center at West Park. Inspired by the sanctuary, we locate ourselves together, although physically apart, in song and movement. In allowing the ephemera of performance to act as prayer, we discover that what is private is, in fact, shared.

ABOUT THE ARTISTS

TINY TRIP is a collective of performers, creating work from their shared language of song and dance. Our goal is to undermine societal patterns of violence by building forms of common expression and eliciting empathic responses from one another, and our onlookers - which we see as a radical act. Tiny Trip’s development has been generously supported by a yearlong residency at Access Theater, two week-long residencies at Mount Tremper Arts, and a space grant from The Living Gallery. Find us on instagram @tinytrippresents.

CyberTank Productions and The Center at West Park present
the premiere of

Glass Town 

A new musical by Miriam Pultro

Directed by Daniella Caggiano

In Residence February 1-14

A rock requiem starring the Brontë siblings -- Anne, most feminist and most faithful, a neosoul star; Emily, melancholy alt-rock prodigy; Branwell, full of the blues; and Charlotte, fiery frontwoman, desperate for recognition and love. A staged concept album that defies traditional musical theatre, Glass Town explores familial bonds, grief, and isolation, using the literary family as archetypal touchstones.

ABOUT THE ARTISTS

MIRIAM PULTRO is an NYC-based actor/singer/writer, born in Philadelphia, who lived in Melbourne for several years. Composer: folk-pop song cycle Comings & Goings; choral Renaissance prog rock fairy tale musical Stardust; Tam Lin (Halloween one-act); @quarantinethemusical. Performer: RENT, Beauty and the Beast, Assassins, “Pokémon” (Mewtwo/others), Joe’s Pub. She wrote/directed/starred in award-winning web series “Mythos,” and was signed to EMI Music with vocal group Bell’Aria. She is passionate about diversity, equity, inclusion, and representation in the arts, expanding the scope of musical theater, and making beautiful, excellent things. @miriampultro // miriampultro.com 

DANIELLA CAGGIANO is a freelance director and native New Yorker. She is a former MTC Directing Fellow, Drama League Resident, and alum of the Lincoln Center Directors Lab. Named one of The Interval’s “Women to Watch”, Daniella has directed or developed work at NYTW, Joe’s Pub, The Lark, MTF, WOW Cafe, HERE, and 54 Below among others. Favorite projects include a site-appropriate Fun Home in a funeral home (starring Tony nominee Jenn Colella), Next To Normal, Vinegar Tom (performed with an original Riot Grrrl score), Macbeth, Tumacho (Assistant, dir. Leigh Silverman) and School Girls; Or, The African Mean Girls Play (Associate, dir. Rebecca Taichman). MFA The New School, BA Sarah Lawrence College www.daniellacaggiano.com 

Glass Town is a co-production of The Tank and The Center at West Park.

Exiled Tongues

CON DOUGH

Stories of the 1-in-5 Gentrified

Written by Ray Jordan Achan & Dena Igusti

In Residence February 15-28

CON DOUGH: Stories of 1 in 5 Gentrified is a new documentary theater piece that captures the violence gentrification has done to low income communities and communities of color across NYC. It uses a culmination of interviews from residents, students, organizers, and educators that have grown up in the NYC for over a decade as well as Igusti and Achan’s personal experiences as born and raised New Yorkers that have been traumatized by gentrification. The production highlights the way the constant fear of displacement affects New York identity, and what it means to call a place that neglects your livelihood “home.

By bringing community awareness around the issues of gentrification and how it is inextricably linked to racial and class politics, writers Achan and Igusti strive to give marginalized communities a voice and motivate individuals to demand accountability from their elected leaders.

ABOUT THE ARTISTS

RAY JORDAN ACHAN (he/him/his) is a Guyanese American, Brooklyn based actor, director, writer and producer. Ray is the Founding Artistic Director of EXILED TONGUES, a performance collective that provides financial, artistic and collaborative support to BIPOC artists who center diasporic consciousness. Ray is part of the pilot A4 Virtual Residency hosted by Asian American Arts Alliance. He currently is developing his documentary theater piece, “CON DOUGH” at the sanctuary space at the Center at West Park set to premiere virtually in February 2021. Ray is an Associate Member of the Stage Directors and Choreographers Foundation. He is the recipient of the Pet Project Grant sponsored by Jeremy O’Harris and the Bushwick Starr for his play, Free Fallin’.He recently was the Artistic Fellow at Ars Nova as part of the Emerging Leaders Group. He has worked at the Park Avenue Armory as a Production Assistant and has helped advance shows such as Antigone and Judgment Day as well as events such as The Black Artists Retreat and Armory Iridescent and Culture in a Changing America: 100 Years/100 Women. He also worked as a Producing Intern at the Public Theater. Ray directed the World Premiere Off-Broadway production of SHARUM written by Mohammad Murtaza and Dena Igusti at the Player’s Theater. Recently, Ray directed CUT WOMAN, written by Dena Igusti which premiered at the Prelude NYC 2020 Festival. Future projects: Ray is directing his original play Free Fallin’ which is set to premiere at the Hudson Guild Theater in June 2021. Additionally, Ray is directing La Violecion of My PapiYon, an original play written by Arline Pierre- Louis. Ray is a graduate of Wesleyan University with a BA in Government and Theater with Honors.

DENA IGUSTI (they/he) is a queer Indonesian Muslim poet, playwright, and producer born and raised in Queens, New York. They are the author of CUT WOMAN (Game Over Books). They are the co-founder of Asian multidisciplinary arts collective UNCOMMON;YOU and literary press Short Line Review. They are a 2018 NYC Youth Poet Laureate Ambassador and 2017 Urban Word Federal Hall Fellow. They are a 2019 Player’s Theatre Resident Playwright for their co-written Off-Broadway production SHARUM. Their choreopoem, CUT WOMAN, was featured at Prelude Festival 2020. They are a 2020 Seventh Wave Editorial Resident, 2020 Ars Nova Emerging Leaders Fellow and part of Spotify Sound Up’s 2020 cohort. They are a Converse All Stars Artist. Their work has been featured in BOAAT Press, Peregrine Journal, and several other publications. They have performed at The Brooklyn Museum, The Apollo Theater, the 2018 Teen Vogue Summit, and several venues internationally.

Un-آن Theatre Ensemble

The Cellos' Dialogue

In Residence March 1-14

The Cellos Dialogue is an experiment on using musical instruments and sounds as puppets while telling the story of an immigrant Iranian woman in the US who contemplates keeping an unwanted child. Musical experimentation, animated objects, shadow images, video projection and poetic language paint an expression portrait of the struggles of a woman from the middle east trying to fit into the western society.

ABOUT THE ARTISTS

Trained in her hometown Tehran, DENIZ KHATERI is an actor, director, playwright, shadow puppetry artist and animator based in New York. Her works attempt to experiment with form and exploring the unique characteristics of the mediums that she uses.Deniz has performed extensively in Tehran, Boston and New York.  Her plays have also been performed in international festivals. She is a proud winner of the  NYFA award for her animated web series "Diasporan Series" which is about daily struggles of immigrants .More at  denizkhateri.com

YEKTA KHAGHANI is an Iranian actor and playwright based in New York City. She earned a B.A. in Dramatic Literature from Tehran University of Art in 2009 - an opportune moment in Iran’s thriving theatre scene - whereupon she directed and acted in a wide variety of plays, and also wrote for the stage and radio. Since Yekta moved to the US in 2016 she has created and acted in numerous theatrical performances for young audiences and has adapted the series Fairy Tales from Greater Iran for audiobook and the stage. Her recent credits include: playing the lead character in the short film American Quartet and writing a documentary play named T.B during a residency at the Downtown Art Theater. She was a semifinalist at the 2020 National Playwrights Conference at the Eugene O’Neill Theater Center. 

Born and raised in Iran, BAHAR ROYAEE is a composer of concert and incidental music. A 2020 Fromm Foundation Composers Conference Fellows, Royaee, received 2019 Pnea Projects prize to produce an electroacoustic piece for Clair Chase’s Density 2036 part vi. Recognized as runner-up in National Sawdust's 2018-19 Hildegard Competition, in 2017 Bahar was awarded from the Krourian Electroacoustic Competition in Iran, and won the Roger Sessions Memorial Composition Award the top composition prize at Boston Conservatory. The Boston Arts Review praised Bahar’s “haunting” for her work. She is currently pursuing a Ph.D. in composition from Graduate Center CUNY.

Mingna Li

Playing in the City

In Residence March 15-28

Playing in the City is a multimedia performance using lamps as performing instruments. This virtual performance involves both a human performer and avatar performers. Light, sound, sensors, and code are the language of how avatars and the human performer interact with each other. The performance tells a story about how individual experience is a collective feeling, that our experience and emotion can resonate with each other even from far away. 

ABOUT THE ARTIST

MINGNA LI is Chinese-born, New York-based new media artist, technologist, and performer. Her work takes the form of multimedia performance and installation, which include sensors, sound, augmented reality, and lamps. She intends to use technology as a medium for storytelling. Her work involves using technology to transform objects into music interfaces and interactive props for choreography.

Mingna has shown her works at Mana Contemporary, Network Music Festival, NYC Media Lab, and the Paper Box. She received her bachelor’s degree in art at University of California, Irvine and her masters from Interactive Telecommunications Program (ITP) at New York University’s Tisch School of the Arts.

Carmen Caceres DanceAction

Welcome to ImagiNation

In Residence Apr 5-18

Welcome to ImagiNation is a multimedia immersive performance inspired by Charlie Chaplin’s film Modern Times where the audience will participate in a virtual reality interactive game, facing multiple challenges. Searching for conflict resolution, the audience will experience the motivations and consequences of migration.

Welcome to ImagiNation is directed & co-choreographed by Carmen Caceres with co-direction and dramaturgy by Lauren Hlubny; performances co-choreographed and performed by Sofia Baeta, Sofia Bengoa, Aviya Hernstadt, Lauren Hlubny, Mallory Markham, and Mar Orozco; lighting design by Stoli Stolnack; visual arts consultation by Maria Nissan; and costumes designed by Caceres in collaboration with the performers.

ABOUT THE ARTISTS

CARMEN CACERES (Director & Choreographer) is a dance artist, originally from Buenos Aires, Argentina. She received a BA in Dance and Education at SUNY Empire State College and deepened her studies in dance, performance, and choreography at the former Merce Cunningham Studio in New York. In her native city, she graduated from the National School of Dance and has studied Dance Composition at the National University of the Arts UNA.

She has been creating and presenting dance works in Argentina and NY since 2009. In 2012 she founded DanceAction (DA), a creative platform comprised of artists from multiple disciplines, to produce performing artworks in collaboration and provide educational opportunities. DA participated in numerous festivals and performance series in New York, such as Performance Studio Open House (PSOH) at Center for Performance Research, Take Root at Green Space Studio, Open Performance for Movement Research, Under Exposed at Dixon Place, and SharedSpace at the Mark Morris Dance Center. DA has also been invited to international dance festivals in different cities. The First International Contemporary Dance Festival of Mexico City (FIDCDMX), the International Contemporary Dance Festival and Campus “Ticino in Danza” in Ticino, Switzerland, and “Women Center Stage Festival” in New York are some of them. DA’s latest project, BLINDSPOT, was sponsored, in part, by the Brooklyn Arts Fund community grant, administered by Brooklyn Arts Council (BAC). Most recently, DA has received the Dance/NYC Emergency COVID-19 Grant.

As a performer and collaborator, Carmen has worked with artists Ines Armas, Katie Rose McLaughlin, Isabel Lewis, Jillian Peña, Lisa Parra, Elia Mrak, Jody Oberfelder, and Sarah Berges among others. Carmen also works as a dance educator and program director for different art education programs in New York City, Brooklyn, and the Bronx. www.carmencaceres.com.

LAUREN HLUBNY (Co-Director & Dramaturg) is the NYC Artistic Director of Franco-American company Danse Theatre Surreality (DanseTheatreSurreality.org). Hlubny's work centers image-as-metaphor, physicality, social justice, and interdisciplinary communication, and her research focuses on the intersection of movement and storytelling. Hlubny has been invited to share works in France, Italy, Seattle, San Francisco, Birmingham, Knoxville, New Orleans, Portland, and in museums nationwide, including the Dali Museum. Hlubny studies Martial Arts and Anthropology in New York City, where she works as a director who originates works at venues such as Joe’s Pub, Triskelion, The Kraine, Shetler Studios, TADA! Youth Theater, Mark Morris, and La MaMa. Fascinated by multifaceted productions, combat, and consent, Hlubny also enjoys working as a dramaturg and acting coach for choreographers, and as a choreographer for theatre and opera. Hlubny will be an artist-in-residence for her piece īs, a dance-concerto this August at the Shed Seattle, and serves as co-director/dramaturg for Dance Action’s latest work Welcome to Imagi•nation directed and choreographed by Carmen Caceres.

Over the course of three nights, this year's Object Movement Resident Puppetry & Object Theater Artists will each present a brand new short piece, developed in residence at The Center at West Park.

Curated by Maiko Kikuchi, Rowan Magee, and Justin Perkins, this year's festival is divided into two programs, with each evening featuring three 10-minute presentations by three different extraordinary artists.

PROGRAM A
(Friday, April 23 & Sunday, April 25)

Liz Oakley
Evolve Puppets
Janel Schultz

PROGRAM B
(Saturday, April 24 & Sunday, April 25)

Amanda Card
Maggie Winston
Owlicorn

King Lear in the Forest

Created and performed by G^2
(John Maria Gutierrez & Beth Graczyk)

In Residence April 19-May 2

STREAMING PERFORMANCES FRIDAY, May 14 at 7:30PM,
Saturday, MAY 15 at 7:30pm & sunday, MAY 16 at 2:30PM

King Lear In The Forest is a multi-disciplinary performance unraveling the perceived, known, and yet to be known identities of the duoship G^2 through the lens of race, gender, age, and sexuality.

This piece is for those who get caught between labels and identities. Individuals who skirt the fence of belonging to either or. KLIF is about taking on and shedding identity constructs imposed by society today while surfacing the erotic desires, both pleasant and unpleasant, that arise with being human.

TICKETS START AT $10

ABOUT THE ARTISTS

G^2 stems from artistic dialogue between John Maria Gutierrez, a NYC-born, 1st generation Dominican-American, and Beth Graczyk, a Seattle-born 3rd generation Polish-American. G^2 manifests material by collaging diverse improvisational concepts, post-modern, modern, hip-hop, and contemporary dance, theater, acting, poetry, and music into a multi-dimensional and imaginative worlds.

Beth and John have primarily independent performance histories, and have launched G^2 as a collaborative platform for them to explore co-teaching, and co-directing dance-theater works together that draw from their experience of queerness, gender, age, ethnicity, and these labels’ shortcomings. In their process they aim to generate work that speaks to ways in which their rigorous physical expressions counter, challenge and blend with one another. In the more subtle and complex space of their bodies, John and Beth explore both identity and post-identity, where the individual labels that are afforded or placed on either of them, have the potential to become blurred with each other and the audience, even for a moment. 

JOHN MARIA GUTIERREZ is an actor, dancer, creator who performs on screen and stage nationally and internationally. Originally from a small island presently called NYC, John’s works combine bboy and postmodern aesthetics, original music, singing, and experimental theater to unwind a complex urban disparity brought on by social and systemic failings. Since graduating from NYU Tisch’s Experimental Theater Wing John has performed with companies such as Miguel Gutierrez, Big Dance Theater, Pilobolus, Gesel Mason, Raja Feather Kelly, BAIRA, Full Circle Souljahs, Jeanette Stoner and Dancers. He is a graduate of the Terry Knickerbocker Studio and faculty at Peridance Center. John is a proud member of the Great Jones Rep Company of La Mama and G^2, an ongoing collaboration with Beth Graczyk which recently presented work at Judson Church and the Shanghai Tower in China. John is also a 2020-21 Artist in Residence at La Mama as well as a BAAD/Pepatian Dance Your Futures artist.

BETH GRACZYK is a Brooklyn-based dance artist and scientist who aims to spark creative dialogue through performance, teaching, and contemporary dance-based projects with a focus on LGBTQIA+ and disability inclusion. Graczyk has performed throughout the United States and internationally in Japan, Ecuador, France, China and India for the past 18 years. In NYC, her solo works have been presented by Gibney, La MaMa, Judson Church, Jack, Triskelion, CPR, Movement Research, Oye Group, Kraine Theater, Chez Bushwick and through Pioneers Goes East Collective. She has collaborative partnerships with John Gutierrez (G^2), BAIRA in Detroit, is a resident choreographer for Pioneers Go East Collective, and is on Faculty at Peridance Contemporary Dance Center. Concurrently, she is an author on 10 science publications in the field of cancer research and a Research Specialist at Rockefeller University. She co-directed the performance company Salt Horse in Seattle from 2008-2016.

Gotham Dance Theater

22

A NEW DANCE PIECE
Choreographed by Marc Nuñez

In Residence May 10-23

STREAMING PERFORMANCES FRIDAY, May 21 at 7:30PM,
Saturday, MAY 22 at 7:30pm & sunday, MAY 23 at 2:30PM

Inspired by Director Marc Nuñez’s mother, who left the Philippines as an OFW, or Overseas Filipino Worker, to pursue a career in the United States of America, 22 explores each dancers’ parents’ journeys and their own through dance theatre. What gave our parents courage, nerve, and strength to pursue the American Dream? How did love persevere through our parents’ lives in order to bring us into the world and lead to the lives we have today?

Gotham Dance Theater (est. 2015) is dedicated to producing art with social purpose, strengthening leadership skills for its artists, and representing the diverse cultures that reside in New York City. Gotham Dance Theater is a street and contemporary dance theater company that creates performance art in the disciplines of dance, theater, and music.

TICKETS START AT $10

ABOUT THE ARTISTS

MARC NUÑEZ (Director) was born in Switzerland and raised in California. He is a Filipinx-American, Queens-based Director, Choreographer, and Dancer. Professionally, Marc has danced for Rihanna, Todrick Hall, Donald McKayle's Etude Ensemble, Mike Esperanza's BARE Dance Company and Entity Contemporary Dance, as well as played roles in musicals including Peter Pan (international tour starring Cathy Rigby), Disney's Newsies, Cabaret and The King and I. Marc has directed productions of The Wizard of Oz and choreographed Sweeney Todd (Media Theatre). Marc is Founder and Director of Gotham Dance Theater since 2015 and Dance Curator at The Tank. Marc holds a BFA in Dance Performance with Excellence in Choreography from the University of California, Irvine. Marc is a member of Actors Equity and represented by CESD Talent Agency.

KARESIA BATAN is a Queens-based modern dancer and Artistic Director of The Physical Plant, a dance + production house. Under TPP, she runs local public programs including the Queensboro Dance Festival, Dance Shorts screenings, and Site Moves installations. Her movement vocabulary is inspired by Filipino folk dance, Aikido, and the element of humor. She has danced for several NYC companies including Nancy Meehan Dance Co, Beth Soll & Co, Craig Hoke Zarah, and Gotham Dance Theater and enjoys collaborating with interdisciplinary artists. @queensborodancefestival @thephysicalplant

DAVONNA BATT is originally from Albuquerque, New Mexico. Davonna fell in love with dance at an early age. She received a B.F.A. in Dance from the University of Arizona with Honors, Summa Cum Laude, and with great pleasure has immersed herself in several styles of dance while studying under many exceptional artists. Since moving to New York in 2014, she has danced in and collaborated with several companies and artists including ALMA NYC, Gotham Dance Theater, Amanda + James, of bones dance, and ACB Dance. In addition, she's had the opportunity to tour nationally with DAMAGEDANCE and internationally with Sarah Berges Dance.

CORRY J. ETHRIDGE is originally from Raleigh, North Carolina. He graduated from Skidmore College with a B.A. in Dance and Psychology. He currently lives in NYC, where he joined Gotham Dance Theater in 2015. Since then he has danced for Royal Caribbean, performed with NYC Children’s Theatre, and danced in NYFW, among other things. He has performed in regional theatres throughout the country, and most recently danced for a short dance film entitled BDYWRK with Thistle Dance Company.

EMILY HART LOPEZ is a professional performing artist, dancer, actor, and educator based in NYC. She is a 2016 graduate of the University of North Carolina School of the Arts with a B.F.A in Dance. Her work ranges from concert to company work, Latin dance, immersive theater, to commercial, and more. Her current passion is Latin fusion, developing artistic, movement based work and community through her platform “HartHeals” (@hartheals) as well as arts advocacy on the local to global scale.

NADIA KHAYRALLAH is a dance artist, writer, and general menace. A graduate of Columbia University with a B.A. in Dance and Psychology, she currently works with Gotham Dance Theater, Jonah Bokaer Choreography, eSKay Arts Collective, and EBDance. She has co-directed music videos for Zahed Sultan and Alethea, and has presented work through Dixon Place, Queens College Arts Festival, Chez Bushwick, Queensboro Dance Festival, Screendance Miami, YallaPunk, Dancers Unlimited, and the ModArts Move to Change Festival. She has written for the Dance Enthusiast, Huffington Post, Reductress, and Sukoon Magazine, and is currently a staff writer for thINKingDANCE. www.NadiaKhayrallah.com

MICHAELA TERNASKY-HOLLAND is an athletic movement artist who has been featured in music videos, fashion shows, festivals, theme parks, cruise ships, and live events. She worked on Disney Cruise Line and performed in parades and nighttime spectaculars at world-renowned theme parks in Southern California like Disneyland, Legoland, and SeaWorld. She is now based in New York City, where she continues to work with a variety of choreographers and companies. She extends her passion for athleticism as an aerial artist. Her performance credits extend into movement technology with motion capture, volumetric capture, and augmented reality experiences.

Joy Comes in the Morning

A new play by Marcus Scott

Directed by Dev Bondarin

In Residence May 24-June 6

Joy, is a young teenage girl in Buffalo, New York with dreams of being a pro wrestler. She meets Marisol, a second generation Latina American from New Mexico who wants to be a luchador. The two strike out to prove they can. You see, an old gym with large connections in and out of the sports world just re-launched and reopened its doors and the staff is looking for new personalities to kickstart a web-series for young emerging talent; Joy and Marisol believe they have what it takes. Only Joy and Marisol have a lot more problems to deal with. There’s Anxhela, an Albanian transplant who is driving all the girls and boys wild, including Amere, Marisol’s crush; There’s Coach Wallace, a sexist pig in charge of their high school wrestling team that thinks Joy and Marisol should stick to playing with dolls; there’s Titi, a rough around the edges queen bee who joined the wrestling arena to spite them both, but is also a rock star in the ring; Pedro, Marisol’s controlling and emotionally abusive Dad; and there’s Cleopatra, Joy’ older sister, a recovering alcoholic seeking custody of Joy with plans of moving to the south where she knows not a single soul. What will these two girls do? Joy Comes In The Morning explores sexism in the world of contact sports, exploitation, misogynoir, the mythos of strong black women and the stereotypes surrounding women of color, identity, dog-whistle politics, homoeroticism in wrestling and female sexuality.

ABOUT THE ARTISTS

MARCUS SCOTT (Playwright) Selected works: Fidelio (Libretto; Heartbeat Opera at Baruch Performing Arts Center, 2018; called “poignant” by NY Times), Tumbleweed (Finalist for the 2017 BAPF; semi-finalist for the 2017/2018 New Dramatists Princess Grace Fellowship Award), Cherry Bomb (recipient of the 2017 Drama League First Stage Artist-In-Residence; 2017 Finalist for the Yale Institute for Music Theatre) and Sundown Town (Finalist for Abingdon Theatre Company’s Virtual Fall Festival Of Short Plays). His work has been developed or presented by Joe’s Pub, 54 Below, APAC, Dixon Place, Space on Ryder Farm, Cherry Lane Theater (DUAF), CoLAB Arts, Symphony Space, MicroTheater Miami, among others. Scott is a four-time finalist for the R&D Group at The Civilians, a two-time finalist for NBT’s I AM SOUL Playwrights Residency and a 2019 finalist for the Bushwick Starr’s Starr Reading Series. He is a Speaker's Corner writer for the Gingold Theatre Group for 2020-2021. His articles appeared in Time Out New York, American Theatre Magazine, Playbill, Elle, Out, Essence, among others. MFA: NYU Tisch.

DEV BONDARIN (Director) is Artistic Director of Astoria Performing Arts Center (APAC), Associate Artistic Director of Prospect Theater Company, and a freelance director, Her recent APAC directing credits include the NY premiere of Marguerite by Anton Dudley & Michael Cooper starring Tony Award-winner Cady Huffman and a revival of Caroline, or Change which won the 2019 AUDELCO Award for Outstanding Musical Revival. With Prospect, Dev produces and directs an annual musical theater lab which commissions writers to create new musicals all on a central theme. Since the pandemic began she has pivoted online and recently directed two short musicals as part of a collaboration between Lincoln Center and the New York Public Library (one of which was written by Marcus Scott). devbondarin.com @devbondarin